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Tom Rossi’s auspicious debut, Salma Har, is a global mosaic, a border-dissolving symphony of tones and beats and harmonies from Africa and the Middle East to South America and the Brooklyn basement where it was recorded. This is music for, as that other Brooklyn poet Walt Whitman once put it, "respiration and inspiration, the beating of my heart." Listen closely; Salma Har contains multitudes.
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